- Main
- Arts - History & Criticism
- The Art of the Portrait (Masterpieces...
The Art of the Portrait (Masterpieces of European Portrait Painting 1420-1670)
Norbert Schneider你有多喜歡這本書?
文件的質量如何?
下載本書進行質量評估
下載文件的質量如何?
The Art of the Portrait focuses on about a 200-year period, from the late Middle Ages to the Renaissance, during which the genre of painted portraiture flourished. For the first time since classical antiquity, interest in and attention to this type of painting grew. As a consequence, new visual types of portraiture--full length, profiles, groups--emerged, and a wider range of subjects (outside the traditional circle of royalty and clergy) was explored in the canvasses, along with psychological and atmospheric elements. During this heyday innumerable masterpieces were painted by a wealth of different artists. But the 19th century, with the advent of photography and impressionism, among other developments, put an abrupt end to the boom. The paintings collected in this book include Botticelli's Profile of a Young Woman, in which his subject is draped in a lovely deep-red gown with pearls threaded through her intricately braided hair; Jan van Eyck's The Marriage of Giovanni Arnolfini, which doubled as something of a marriage certificate for the couple, as it attested to the presence of a witness (the artist himself) at the priestless ceremony; and da Vinci's Mona Lisa, arguably the most famous portrait in the world. Works by Poussin, Rembrandt, Titian, Dürer, Raphael, Rubens, Velázquez, and other artists illustrate the highlights of the period. The book itself is an interesting enough survey of some of the greatest portraits ever painted and the artists who created them. But it contains poorly reproduced plates of relatively common paintings and a conventional introductory essay, not to mention overlong annotations that tend to overtake the actual images. Still, The Art of the Portrait has achieved minor notoriety since being cited by David Hockney in The New Yorker (January 31, 2000) as supporting his theory that painters of the 16th century must have relied on optical devices such as the camera lucida to create the near-photographic perfection of the portraits. --Jordana Moskowitz
年:
1999
版本:
2nd
出版商:
Taschen
語言:
english
頁數:
180
ISBN 10:
3822865222
ISBN 13:
9783822865224
文件:
PDF, 105.14 MB
你的標籤:
IPFS:
CID , CID Blake2b
english, 1999
該文件將發送到您的電子郵件地址。 您最多可能需要 1-5 分鐘收到它。
該文件將通過電報信使發送給您。 您最多可能需要 1-5 分鐘收到它。
注意:確保您已將您的帳戶鏈接到 Z-Library Telegram 機器人。
該文件將發送到您的 Kindle 帳戶。 您最多可能需要 1-5 分鐘就能收到它。
請注意:您需要驗證要發送到 Kindle 的每本書。 檢查您的郵箱是否有來自 Amazon Kindle 的驗證郵件。
轉換進行中
轉換為 失敗